Dog on It by Spencer Quinn
My rating: 4 of 5 stars
"Love it. Is this the life or what? I ask you?"
The plot is a fairly straightforward PI missing persons case. The twist is that it is told to us throught the POV of Chet, the best K-9 trained (though not certified) partner Bernie could ever want. Chet and Bernie go through a lot together, but they are the most steadfast of partners. While the plot is standard fair and relies a bit much on pure luck, the unfolding through the eyes of a dog (especially a dog who knows things that the humans around him don't) is refreshing. Also refreshing is Chet's exhuberance, his earnestness, his ability to forgive and forget, his love of "his guys" the "nation within a nation" of dogs. I don't know how well this will work as a series, but I really enjoyed this on audiobook and suggest it to anyone who loves mystery/crime fiction and/or dogs.
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Friday, February 26, 2010
Sunday, February 21, 2010
Capital R, please.
I've been reading and discussing "The Rule" a lot lately it seems. Otherwise known as the Bechdel Test or the Bechdel/Wallace test, Wikipedia gives the following criteria for The Rule:
1.It has to have at least two women in it,
2.Who talk to each other,
3.About something besides a man.
The "it" in the original The Rule was for movies, but this criteria has been expanded to include any sort of media. I don't apply it to everything I consume, the last book I discussed on this blog would have failed miserably. But I think there is one genre of book that should have this Rule at the forefront of the reader's mind. Romance. I know that the main relationship in a traditional Romance is between the male and female protags, and that is fine. But, I've noticed if The Rule isn't followed than I find myself unable to suspend my disbelief. Romance, to me, without women's relationships with other women is weak and underdeveloped, and I wonder in what world do these characters live where the only thing women have to talk about is men? Women's lives, and therefore Women's fiction, includes many daily interactions with people, men and women, in which their lovelife is not discussed at all. Real, rounded characters, think about things other than their current romantic partner/situation. So, it is essential in Romance, to have full complete characters who have conversations (even offstage conversations) about something other than their relationship. I think from now on when I review or discuss Romance I will mention whether or not the book followed The Rule.
Another thing about Romance that I've noticed in my own reading is that if a story starts out from the male protag's pov and doesn't switch within the first chapter or two into the female protag's pov, I get bored and give up. I tried to read "Marriage Most Scandalous" by Johanna Lindsey both on audio and in they traditional mass market paperback form. It took me a while to figure out why, even though I like the writing, I couldn't get past the first few chapters. I thought back on other Romances that I wanted to read but couldn't get into, and the common thread is that I'm following the adventures of the man for ages and ages and what he's doing may or may not even be related to the actual story. And, I have absolutely no idea who the female protag is even going to be. She's the one I'm going to identify with, so why am I going to care what this random dude is doing...UNTIL HE MEETS THE LADY. So Romance authors, you get 2 chapters max to switch to the lady's pov or I'm probably out of there. Oh, and let her be a normal human having normal non-relationship-based conversations. Him too actually. I'd be equally creeped out if all the dudely protag could think about was lady protag.
So, I've been reading a lot of great Romance lately, particularly historicals by Julia Quinn, and they all pass Bechdel's test and my own. I don't even think it is all that hard to do, and most great Romance (IMHO and to be fair, I mostly like historical and contemporary so maybe this won't work for thrillers or all Romance subgenres) is just written that way.
1.It has to have at least two women in it,
2.Who talk to each other,
3.About something besides a man.
The "it" in the original The Rule was for movies, but this criteria has been expanded to include any sort of media. I don't apply it to everything I consume, the last book I discussed on this blog would have failed miserably. But I think there is one genre of book that should have this Rule at the forefront of the reader's mind. Romance. I know that the main relationship in a traditional Romance is between the male and female protags, and that is fine. But, I've noticed if The Rule isn't followed than I find myself unable to suspend my disbelief. Romance, to me, without women's relationships with other women is weak and underdeveloped, and I wonder in what world do these characters live where the only thing women have to talk about is men? Women's lives, and therefore Women's fiction, includes many daily interactions with people, men and women, in which their lovelife is not discussed at all. Real, rounded characters, think about things other than their current romantic partner/situation. So, it is essential in Romance, to have full complete characters who have conversations (even offstage conversations) about something other than their relationship. I think from now on when I review or discuss Romance I will mention whether or not the book followed The Rule.
Another thing about Romance that I've noticed in my own reading is that if a story starts out from the male protag's pov and doesn't switch within the first chapter or two into the female protag's pov, I get bored and give up. I tried to read "Marriage Most Scandalous" by Johanna Lindsey both on audio and in they traditional mass market paperback form. It took me a while to figure out why, even though I like the writing, I couldn't get past the first few chapters. I thought back on other Romances that I wanted to read but couldn't get into, and the common thread is that I'm following the adventures of the man for ages and ages and what he's doing may or may not even be related to the actual story. And, I have absolutely no idea who the female protag is even going to be. She's the one I'm going to identify with, so why am I going to care what this random dude is doing...UNTIL HE MEETS THE LADY. So Romance authors, you get 2 chapters max to switch to the lady's pov or I'm probably out of there. Oh, and let her be a normal human having normal non-relationship-based conversations. Him too actually. I'd be equally creeped out if all the dudely protag could think about was lady protag.
So, I've been reading a lot of great Romance lately, particularly historicals by Julia Quinn, and they all pass Bechdel's test and my own. I don't even think it is all that hard to do, and most great Romance (IMHO and to be fair, I mostly like historical and contemporary so maybe this won't work for thrillers or all Romance subgenres) is just written that way.
Labels:
Bechdel Test,
Johanna Lindsey,
Romance,
The Rule
Tuesday, February 2, 2010
The book just whizzed by so fast I couldn't blink, so I wrote a short review.
I'm not even brave enough to illegally download music. My major in undergrad was criminal justice (and anthropology)...Crime and the people who commit it and the people who try to stop it all fascinate me. This book enthralled me completely.
Beat the Reaper: A Novel by Josh Bazell
My rating: 5 of 5 stars
Peter is a doctor. He's also a former mob-hitman turned informant who is having one hell of a bad day.
When reviews say that something is a fast-paced thrill ride, they should use this book as a platonic ideal. So gruesome it is hard to read in parts, but mostly filled with brilliant action and dialogue and a story that races from past to present moment at breakneck speed.
View all my reviews >>
Beat the Reaper: A Novel by Josh Bazell
My rating: 5 of 5 stars
Peter is a doctor. He's also a former mob-hitman turned informant who is having one hell of a bad day.
When reviews say that something is a fast-paced thrill ride, they should use this book as a platonic ideal. So gruesome it is hard to read in parts, but mostly filled with brilliant action and dialogue and a story that races from past to present moment at breakneck speed.
View all my reviews >>
Labels:
beat the reaper,
crime,
josh bazell,
thriller
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