Thursday, September 12, 2013
Wednesday, July 27, 2011
My rating: 4 of 5 stars
Rhine is trying to make extra money for herself and her twin Rowan by answering an ad to sell her marrow. The ad is a trap and she's captured by gatherers with a group of other girls. Out of the group 3 are chosen, including Rhine. The others are shot. This is a near future dystopia. Genetics created one perfect generation, but that generations children die young. Women at 20 and men at 25. Rhine and the other two girls are married off to the sheltered son of a wealthy doctor. Her husband is ridiculously unaware of reality. His father's mansion is designed to keep the outside world out, and those inside the walls are kept in as well. Rhine's conflicting emotions about her situation are believable. Sometimes she gets sucked into believing the lies and caring for her captors. The real conflict of the book seems to lie more in whether or not she follow through on her plans of escape or if she will give in to luxury and comfort. This book could have used a lot more tension and uncertainty, but the language and imagery moves the book along.
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Tuesday, July 26, 2011
When Jane Moore runs it seems to be more because she thinks Nico Rathburn is still in love with his mentally ill wife. It does not seem to be a moral stand about anything, at least, not a strong moral stand. Later, she admits that with all she did to make herself disappear (mails her cell phone to San Fransisco, changes her name) she was still hoping he would find her and convince her to come back. So basically it was just a test of his love for her and in this case, he kinda fails. But HEAs for everyone because this is based off the slightly more optimistic sister's book.
This completely alters the message of the original book for me. Though, for once, Jane has one damn flaw.
Oh, and I meant to tell you that I don't hate all updated versions of classics. I liked "10 things I hate about you." And, well, I'm sure there are others too, some that I probably didn't even realize were updates of something else.
Updated classics are often even more problematic than their originals. What makes originals more bearable is that we can look at them in context and say, "This was remarkably X for time Y, even though it is also Zist." That being said, I read through "Jane" in the span of three hours last night, when I really needed to be trying to sleep. I even cried at it a little. But really, I don't think I was crying for the book I was reading, but in memory of my most beloved Jane Eyre. Jane Moore (I'm not sure what the name changes were about, I'd figure this book is out of copyright and any naming issues would be moot, but I'm unsure of the legalities) is at a desperate point. Her parents have died leaving her nothing, she can't afford to go back to Sarah Lawrence in the Fall and the Spring semester is ending with her being essentially homeless. So she goes to a nanny placement agency and because of her anachronistic ways gets sent to nanny Maddy, daughter of rock star Nico Rathburn.
Aside from more edgy language (Mr. Rathburn likes the F word) and sexytimes (ugh, that just turned my stomach actually) the plotting and characters are virtually the same, just more modern versions with details twisted to fit into plausibility. The most interesting aspect of this was that the author tried to fit more obvious motivations into the novel than are found in Jane Erye. I think more modern literature spends a lot of time being introspective and this novel is no exception. Jane Eyre soldiered on despite all that happened to her. Jane Moore spends a bunch of time analyzing and explaining herself (and tries harder to figure out Rathburn than Eyre ever did to figure out Rochester.) The time-period related problematicness of Jane Eyre don't get resolved in this book. Bibi, the Bertha Mason character, is still very much othered. She's Brazilian instead of Creole, but the implication about foreign women of color is still there. And our understanding of mental illness seems to be stuck in the Brontes time, because Rathburn keeps her locked away and keeps her secret and acts like he doesn't know where she is. He acts like her condition, which he blames himself for exacerbating (and I'm with him on this one), is still so shameful and secret the only way to deal with it is to lock her on the third floor with no one but an alcoholic for company/healthcare. Awesome work, Nico Rathburn. At least, unlike Mr. Rochester, he doesn't act like her whole family deceived him by not telling him of a hereditary history of mental illness. Cause that made me hate Rochester in the original Jane Eyre, so much. "You douche!" My teenaged brain cried on first reading, "Don't blame her for things that are Not Her Fault, and don't act like it would have stopped you from marrying her in the first place." And if you haven't read Wide Sargasso Sea, which is Jane Eyre from Bertha Mason's p.o.v, I suggest you do that to understand what I'm getting at here.
The thing I do like Mr. Rochester for more in Jane Eyre than Nico Rathburn in Jane is that Mr. Rochester takes in Adele even though he doesn't believe she is his, and treats her as well as he knows how. But, Nico Rathburn had to have a paternity test to prove Maddy was his and all that tired bullshit. Family is more than DNA, jerkface.
I didn't particularly enjoy modern Jane more than Original Jane. O.J. was really going against the grain of her station and time. M.J. was really mostly doing what was expected, to fall in love with a rockstar, and just by being an unflawed Mary Sue, she got her man. I really did not like the author for mentioning a couple of times that Jane Moore "ate whatever she wanted without getting fat." I don't really remember Jane and food in the original novel, but if it was in there at all it was probably there because of the Bronte siblings effed relationship with food. (Evidently in their horrible lives food and eating was the one thing they could control, and so they controlled it by not eating. There is speculation that the ones that supposedly died from consumption either worsened their conditions by their eating disorders or never had consumption at all. I learned this in my Romance novel genre study and no longer have any citations, sorry.) Anyway, given historical context and modern day food issues and fat acceptance issues, bad form there April Lindner. Oh, and bad form with the body image stuff on Brenda (Grace Poole) too. Bringing up that she was mannish as a negative image? And why didn't you twist up the whole novel a little more? Why are there no noticeable people of color as main (and non-servant) characters? Why is not one person any kind of (gender or sexuality) queer? Why is this book just the original with different wording?
I don't know. Even with a lot of awkwardness in passages (there was a lot of wording and backstory that took me out of the flow of the main story) and all the aforementioned stuff, the book still compelled me. I think mostly because I wanted to see what would change. In the light of day, I'd rather have spent that time re-reading the classic.
Thursday, April 28, 2011
Harvey by Hervé Bouchard
My rating: 4 of 5 stars
A heart attack kills the father of two young boys, leaving their mother to raise them alone. One of the boys, Harvey, is obsessed with an old movie that no one else cares about.
Reading this book is like finding a moleskine someone left at a table in an independent coffee shop. You could pick it up, flip through, digest quickly and forget everything as soon as you close the last page. The book would seem confusing and pretensious and the character drawings juvenile. Or you could savor, take your time, and still feel the book resonate in your head long after you close it.
The art, while the characters are stripped down and simplistic, the textures and colors and backgrounds are so beautiful and detailed. Patterns drift off clothing onto the page and reform to mean something else.I want to take the wallpapers and fabric patterns off the pages and dress my house and myself in them. I want to live in this book, until it gets too sad.
The story of grief is so simple seeming, while at the same time, asks big questions. In addtion to grief the book touches on questions of existance. How often do you ponder that everyone knows a slightly different version of someone then everyone else knows. The father I know is not the exact same father my sister knows, while at the same time, he is father to us both, and it is the same for Harvey and his brother Canton and their father. The pages without text sometimes speak as loudly as those with a paragraph.
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Wednesday, April 27, 2011
Hold Me Closer, Necromancer by Lish McBride
My rating: 5 of 5 stars
Samhain LaCroix is just existing post-high school. He has a crappy fast food job, but good friends and a supportive mom and sister. One otherwise normal day an encounter with a bad customer changes Sam's life forever. The customer, Douglas, is a local necromancer and one of the most powerful paranormal people in Seattle. No one dares cross him. He recognizes that Sam has a small necromancy power and from that point on makes Sam's life hell. When threats don't work Douglas actually kidnaps Sam.
While in captivity Sam meets Brid, a female were-fae hybrid roughly his age. Despite the awful circumstances--sparks fly between them and being held together helps make the situation more bearable for both, especially since Sam is being "taught" necromancy by Douglas. Unfortunately (but unsurprisingly) for Sam, Douglas's idea of teaching more closely resembles torture.
The hijinks are wacky but the non-stop wisecracking is broken by moments scary, sad, and touching. The characters, especially Sam and co. (especially his best friend, Ramon), are quickly but expertly developed. Actual character motivations drive actions, which is refreshing in the paranormal YA genre (which is often plagued by characters only reacting in ways to drive the plot, no matter how against character the reactions seem.) Characters are added in through-out the story, including a sassy 10 year old ghost and Brid's protective family, setting up for future sequels while helping to wrap this adventure up nicely.
This book was just the right mix of slacker redemption story and paranormal romance. The humor didn't overwhelm the serious bits or vice versa. As an added bonus, each chapter heading is a song reference, and while some might be a little old...I doubt many people will have trouble getting the joke(s). The paranormal genre is oversaturated, especially in the YA market, but this fresh book is well worth checking out whether you are a long-time genre fan or just want to dip a toe in to see what all the fuss is about.
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Monday, April 4, 2011
Tyger Tyger by Kersten Hamilton
My rating: 4 of 5 stars
Teagan Wylltson leads a busy life. She has an exciting job at a primate house, a supportive best friend, and a fantastic and supportive family. One day she comes home from work to find a cousin she didn't know existed would be moving in with them. But Finn brings more with him than just a troubled foster family history, he unintentionally brings an entire fantasy world and attendant monstrous creatures.
Hamilton has based her elaborate mythology on Irish faery lore, and she does a great job with integrating the mythology into the story. The sidhe that terrorize Teagan's family and wreak havoc on her life are terrifying and the tension doesn't let up often in this tale. When their father is kidnapped by the faeries, Teagan and her little brother Aidan must go with Finn into the evil faeries lair to save him. In the midst of turmoil we see a budding relationship between Teagan and Finn (who are not actually related) and a rekindled relationship with Finn's biological (and their mother's adoptive) grandmother Mamieo. This book has a little bit of everything, and while it doesn't focus as much on the romance as Wicked Lovely, is a great read-alike for people who like that brand of urban fantasy. The characters seem very much like real people, people you've met. They just happen to have very unreal problems.
The book suffers from a few lapses in timing/pacing and locale. People who don't live in the Chicagoland area would probably never notice how strange the covering of ground by this family seems. Chicago is a place of many diverse and distinct neighborhoods, and this book doesn't acknowledge that at all. The pacing also seemed off, this story takes place over the course of months maybe? But it feels like a day with disproportionate amounts of time spent on Teagan's time in the ape house. It was a great way to get to know Teagan and be introduced the the story, but then important parts of the actual story felt rushed and told more than shown. All in all this book is a promising beginning to another urban fantasy YA series. It's set apart by being lighter on the romance and heavier on the lore than many of the other series that seem to focus too much on eternal love and finding The One in a post-Twilight world.
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